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Born in Porto in 1971, Pedro Junqueira Maia began his musical studies in harmony and jazz piano with Manuel Beleza. He continued them with George Letellier, from whom he received his first lessons in composition and orchestration. Then he studied at the Superior School of Music and Performing Arts in Porto, where he worked with Cândido Lima, Álvaro Salazar and Filipe Pires, having concluded his degree in Composition in Lisbon. With a musical oeuvre that includes chamber, solo, electronic, mixed and theatre music, his works aim at the integration between improvised and strictly written elements. Through modal roots, he repeatedly relies on dense sounds, on rough textures and on perpetual motion, as well as on the intention of a gesture with the meaning and content as significant as its surroundings. His works have been presented throughout Portugal and abroad. Simultaneously to his activity ascomposer, he has founded the Atelier de Composição (Composition Atelier), an association with which he has edited several publications (books, scores and audio recordings), as well as organized concerts, conferences, exhibitions and various gatherings with and about contemporary Portuguese composers. Currently Pedro Junqueira Maia is a lecturer of Musical Analysis at the Music Department of the University of Minho. EXTERNAL LINKS Atelier de Composição Atelier de Composição |
Title of work | Date | Commissioning body | URL | Town | Country | Notes | Invisible Column 0 | Invisible Column |
Nova Gentileza | 2009 | 5th International Competition for Young Performers of Caldas da Rainha | Caldas da Rainha | Portugal | Notes | |||
Música ñ permitida | 2021 | DME Project | URL | Lisbon | Portugal | Notes | http://www.projecto-dme.org | |
Desdobragem (Não é fácil falar das coisas que nos matam) | 2021 | Sond'Ar-te Electric Ensemble | URL | São Domingos de Rana | Portugal | Notes | https://www.sondarte.com | |
Work | Type | Date | Organization/Event | Local | Town | Country | Performer(s) | Notes | Invisible Column |
Mudar de voz para dar às palavras um tom de um parênteses | Premiere | 2023/Nov/10 | Obras Portuenses da Década de 20 | Igreja de São Pedro de Miragaia | Porto | Portugal | Supernova Ensemble João Dias (percussion) Clara Saleiro (flute) Carina Albuquerque (cello) Frederic Cardoso (clarinet) |
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Música ñ permitida | Premiere | 2023/May/27 | Acousmatic Constellations | Bairro Alto Theatre | Lisbon | Portugal | Sónia Correia (speaker) | Notes | |
Vitruvius I/A | Premiere | 2021/May/26 | Contemorary Music Reencounters 2021 | GrETUA | Aveiro | Portugal | João Tiago Dias (percussion) | Notes | |
Desdobragem (Não é fácil falar das coisas que nos matam) | Premiere | 2021/May/03 | 4 Premieres – 4 Commissions · Antena 2 Concert | O'culto da Ajuda | Lisbon | Portugal | Sond’Ar-te Electric Ensemble Pedro Carneiro · conductor Sílvia Cancela · flute Nuno Pinto · clarinet Vítor Vieira · violin Jorge Alves · viola Filipe Quaresma · cello Elsa Silva · piano João Dias · percussion Paula Azguime · sound diffusion Miso Studio |
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Canções nocturnas – I. | Premiere | 2019/Jun/27 | Festival Internacional de Percusión de Patagónia | General Roca | Argentina | Portugal | Nuno Aroso · percussion Ensemble de Percusión de la Fundación Cultural de Patagónia |
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‘xcuse me, while I kiss the sky | Performance | 2018/Apr/14 | Q.Festival 2018/3 | Café Belcampo | Amsterdam | Netherlands | Luís Bittencourt . percussion | Notes | |
‘xcuse me, while I kiss the sky | Performance | 2018/Apr/13 | Q.Festival 2018/3 | Fundatie van Renswoude | Utrecht | Netherlands | Luís Bittencourt . percussion | Notes | |
‘xcuse me, while I kiss the sky | Performance | 2018/Apr/03 | Casa da Música | Porto | Portugal | Luís Bittencourt . percussion | Notes | ||
Talvez meditação 17 | Premiere | 2017/Apr/01 | Arcada e Largo de S.ta Cruz | Braga | Portugal | Work integrated in the performance Ínsula, [con]centrºação project, by Gisela Rebelo de Faria (artistic direction and space design), Joana Domingues (choreography), Nuno Aroso (percussion orientation), Pedro Junqueira Maia (original music and adaptations of Via Crucis, by Franz Liszt), Sónia Correia (reading, Meditation XVII, by John Donne), with Duarte Santos (percussion), Daniel Ribeiro (organ), Matias Moura (dancer) | Notes | ||
Música para O Bem, o mal e o assim assim | Premiere | 2016/Oct/21 | Teatro Carlos Alberto | Porto | Portugal | Notes | |||
‘xcuse me, while I kiss the sky | Performance | 2016/May/28 | Música Viva 2016 Festival | O'culto da Ajuda | Lisbon | Portugal | João Dias . percussion | Notes | |
Música para Heterotopias | Premiere | 2016/Apr/09 | Pio XII Museum | Braga | Portugal | Notes | |||
A China fica ao lado | Premiere of revised version | 2016/Jan/23 | Centre for Art and Architecture | Guimarães | Portugal | Sónia Correia . narrator Gil Magalhães . flute Carlos Lima . guitar |
Notes | with choreography by Alexandra Fonseca, performed by the students at the Ballet School of Fafe | |
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Duplum [my sweet old etcetera] | Performance | 2015/May/29 | Música Viva 2015 Festival | O'culto da Ajuda | Lisbon | Portugal | António Carrilho . recorder | Notes | |
Duplum [my sweet old etcetera] | Performance | 2015/Mar/24 | Saint Peter’s Church Manhattan | New York | United States of America | António Carrilho . recorder | Notes | ||
Duplum [my sweet old etcetera] | Performance | 2015/Mar/16 | Departamento de Comunicação e Arte da Universidade de Aveiro | Aveiro | Portugal | António Carrilho . recorder | Notes | ||
Duplum [my sweet old etcetera] | Performance | 2015/Mar/12 | Centro de Cultura Contemporânea | Castelo Branco | Portugal | António Carrilho . recorder | Notes | ||
Movimento Aleatório Limitado | Premiere | 2014/Dec/27 | DME #20 Festival (Electroacoustic Music Days) | Auditorium of the Music Conservatoire - Collegium Musicum | Seia | Portugal | Notes | ||
L’heure espagnole . Maurice Ravel | Premiere | 2014/Jun/02 | 37.º Fitei – Festival de Teatro de Expressão Ibérica | Teatro Helena Sá e Costa | Porto | Portugal | Musical coordination by António Saiote, musical direction Bruno Martins, staging by António Durães, scenography by Ricardo Preto, costumes by Filipa Carolina, light design by Rui Damas; performers: Almeno Gonçalves/Tiago Costa (Torquemada/tenor), Tiago Costa /Almeno Gonçalves (Gonzalve/tenor), Ana Sofia Vintena /Mariana Picado (Concepcion/m-soprano), Ricardo Rebelo/Carlos Meireles (Ramiro/baritone), Sérgio Ramos (Don Iñigo Gomez/bass), chamber ensemble - students of the Superior School of Music and Performance Arts of Porto (ESMAE); production by ESMAE | Notes | on stage also on June 5 |
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Percurso I | Premiere | 2014/May/31 | Serralves em Festa 2014 | Stables of the Serralves Foundation | Porto | Portugal | Performed by the public, oriented by the students of the Percussion Course of the Department of Music at the University of Minho Hugo Mesquita . electronics |
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Diário de bordo dos trâmites de uma respiração #01-13 | Partial premiere | 2012/Dec | Auditório do CEI (Centro de Educação Integral) | S. João da Madeira | Portugal | Notes | |||
Música para Une brick dans le ventre | Premiere | 2012/Jul/25 | Guimarães 2012 . European Capital of Culture | Fábrica Asa | Guimarães | Portugal | Notes | ||
A China fica ao lado | Premiere | 2012/May/19 | Noble Hall at the Nogueira da Silva Museum | Braga | Portugal | Sónia Correia . narrator Gil Magalhães . flute Carlos Lima . guitar Pedro Junqueira Maia . electronics |
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peça viii | Premiere | 2011/Jun/17 | auditório do curso de música silva monteiro | Oporto | Portugal | Raquel Couto | Notes | ||
Nova Gentileza | Performance | 2011/Jun/06 | University of Salamanca | Salamanca | Spain | António Carrilho . recorder Mafalda Nejmeddine . harpsichord |
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Nova Gentileza | Performance | 2011/Jun/04 | Teatro da Vilarinha | Porto | Portugal | António Carrilho . recorder Mafalda Nejmeddine . harpsichord |
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Oito graus | Premiere | 2011/Apr/17 | n.º vii | Auditório Ernestina Silva Monteiro do Curso de Música Silva Monteiro | Porto | Portugal | Raquel Couto . piano | Notes | |
‘xcuse me, while I kiss the sky | Performance | 2010/Nov/30 | 2nd Concert from Oficina Musical 2010(2011 | Fafe Music Academy | Fafe | Portugal | Nuno Aroso (percussion) | Notes | |
04 Linha Oriente | Premiere | 2010/Nov/26 | Teatro Cinema | Fafe | Portugal | ExpressOriente Duo: Gil Magalhães . flute Carlos Lima . guitar Invited musicians: Oxana Chvets . cello Nuno Aroso . percussion |
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‘xcuse me, while I kiss the sky | Performance | 2010/Oct/23 | 1.º Concerto da Oficina Musical 2010/2011 | Municipal Auditorium | Barcelos | Portugal | Nuno Aroso . percussion | Notes | |
Música para O Rapaz de Bronze | Premiere | 2010/Jun/27 | Municipal Auditorium | Vila Nova de Gaia | Portugal | Notes | |||
‘xcuse me, while I kiss the sky | Performance | 2010/Jun/25 | Municipal Auditorium | Póvoa de Varzim | Portugal | Nuno Aroso . percussion | Notes | ||
‘xcuse me, while I kiss the sky | Premiere | 2010/May/28 | Teatro da Vilarinha | Oporto | Portugal | Nuno Aroso . percussion | Notes | ||
Puzzle Primeiro | Performance | 2009/Dec/09 | Sala Teresa de Macedo da Escola Superior de Música e das Artes do Espectáculo | Porto | Portugal | Oficina Musical Group: Radu Ungureanu . violin Carlos Alves . clarinet Jed Barahal . cello Luís Serdoura . piano Álvaro Salazar . musical direction |
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Música para Dança de Roda | Premiere | 2009/Nov/26 | Villa Community | Porto | Portugal | Notes | |||
Nova Gentileza | Premiere | 2009/Jul/12 | 5th International Competition for Young Performers of Caldas da Rainha | N.ª S.ª do Pópulo Church | Caldas da Rainha | Portugal | Clara Saleiro . flute Jenny Silvestre . harpsichord |
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Puzzle Primeiro | Performance | 2008/Nov/28 | Igreja do Colégio | Ponta Delgada . Azores | Portugal | Oficina Musical Group: Radu Ungureanu . violin Carlos Alves . clarinet Jed Barahal . cello Francisco Monteiro . piano Álvaro Salazar . musical direction |
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Puzzle Primeiro | Premiere | 2008/Nov/27 | Ramo Grande Auditorium | Praia da Vitória - Azores | Portugal | Oficina Musical Group: Radu Ungureanu . violin Carlos Alves . clarinet Jed Barahal . cello Francisco Monteiro . piano Álvaro Salazar . musical direction |
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Música para História do sábio fechado na sua biblioteca | Premiere | 2008/Jun/14 | Teatro da Vilarinha | Porto | Portugal | Notes | |||
A Lição de Offenbach | Pre-premiere | 2008/May/14 | Centro Cultural António Aleixo | Vila Real de Sto António | Portugal | Musical direction by Cesário Costa/Henrique Piloto, dramaturgy, staging, scenography and costumes by José Lourenço, staging assistance by Paula Conceição, light design by Octávio Oliveira; performers: Ana Quintans (soprano), Tânia Silva (soprano), João Cipriano Martins (tenor), Marco Alves dos Santos (tenor), Job Tomé (barítono), Mário Spencer (baritone), Nuno Dias (bass), Raquel Correia (piano), Orquestra do Algarve; co-production ACTA – A Companhia de Teatro do Algarve e Orquestra do Algarve | Notes | ||
Música para O Sr. Juarroz | Performance | 2008/May/10 | Teatro da Trindade | Lisbon | Portugal | Theatre music for Gonçalo M. Tavares' piece, with staging by João Luiz, scenography by João Calvário, costumes by Suzanne Rösler, lighting design by Rui Damas, performance by Rui Spranger & Patrícia Queiroz; production: Pé de Vento | Notes | ||
Música para O Sr. Juarroz | Performance | 2008/May/09 | Teatro da Trindade | Lisbon | Portugal | Theatre music for Gonçalo M. Tavares' piece, with staging by João Luiz, scenography by João Calvário, costumes by Suzanne Rösler, lighting design by Rui Damas, performance by Rui Spranger & Patrícia Queiroz; production: Pé de Vento | Notes | ||
Música para Diário de um louco | Premiere | 2008/Mar/27 | Cace Cultural | Porto | Portugal | Notes | |||
Música para O Sr. Juarroz | Performance | 2008/Feb/21 | Teatro da Vilarinha | Porto | Portugal | Theatre music for Gonçalo M. Tavares' piece, with staging by João Luiz, scenography by João Calvário, costumes by Suzanne Rösler, lighting design by Rui Damas, performance by Rui Spranger & Patrícia Queiroz; production: Pé de Vento | Notes | Performances until March 15, 2008 | |
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Música para Salomé | Premiere | 2007/Oct/12 | Casa Viva | Porto | Portugal | Notes | |||
The Telephone (ou L’Amour a trois) . Gian Carlo Menotti | Premiere | 2007/Jul/29 | Museu do Carro Eléctrico | Porto | Portugal | Musical direction by António Saiote, staging by Jane Davidson, light design by Ricardo Alves, with Sara Carneiro (Lucy/soprano), Sérgio Nery (Ben/baritone), Ensemble Drama per Musica: Ricardo Gomes (gt), Yvonne Saiote (fl), Horácio Ferreira (cl), Hugo Marinheiro (sax), Luca Antoniotti (pf), Vladimir Omelchenko (vl), Hrant Yeranosyan (vlc), Claudia Rodet (cb); production Universidade Católica/Drama per Musica | Notes | ||
La voix humaine . Francis Poulenc; | Premiere | 2007/Jul/06 | Museu do Carro Eléctrico | Porto | Portugal | Musical direction by Luís Carvalho, staging by Rosário Costa, light design by Ricardo Alves, with Catarina Sereno (Elle/soprano), Ensemble Drama per Musica: Yvonne Saiote (fl), Carlos Cordeiro (cl), Miguel Campinho (pf), Vladimir Omelchenko (vl I), Vítor Sousa (vl II), Susana Cordeiro (vla), Aaron Choi (vlc), Cláudia Rodet (cb); co-production Universidade Católica/Porto, Drama per Musica, Porto Bairro a Bairro | Notes | on stage also on July 7 | |
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Reenquadrar | Premiere | 2007/May/17 | Lisbon Oriente Station | Lisbon | Portugal | António Carrilho . recorder Luís Filipe Santos . bass clarinet Luís Serdoura . toy piano Katerina Mikusova . cello Luís Oliveira . percussion António Torres Pinto . drum set Hugo Raro . piano Filipe Teixeira . double bass |
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Música para O Sr. Juarroz | Premiere | 2007/Apr/28 | Teatro da Vilarinha | Porto | Portugal | Theatre music for Gonçalo M. Tavares' piece, with staging by João Luiz, scenography by João Calvário, costumes by Suzanne Rösler, lighting design by Rui Damas, performance by Rui Spranger & Patrícia Queiroz; production: Pé de Vento | Notes | Performances until May 27, 2007 | |
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Unicer Laboratório Criativo | Premiere | 2007/Feb | Orient railway station | Lisboa | Portugal | Pedro Junqueira Maia · conductor António Carrilho · flute Katerina Mikusova ·cello Luís Filipe Santos · clarinet bass Luís Serdoura · toy piano Rui Silva · percussion Sónia Correia · voice “Uma Espécie de Trio” (jazz trio) Hugo Raro · piano Filipe Teixeira · double bass António Torres Pinto · drums |
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Música para O Processo de Camilo | Performance | 2006/Dec/02 | Estaleiro Teatral de Aveiro | Aveiro | Portugal | Theatre music for Artur Costa's piece, with staging by João Luiz, scenography by João Calvário, costumes by Alexandra Vaz, lighting design by Vitor Correia, performance by Ivo Alexandre, José Pedro Ferraz, Emílio Gomes, Anabela Nóbrega & Rui Spranger; co-production: Pé de Vento/Efémero Music performer (recording): Sofia Novo . cello |
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Duplum [my sweet old etcetera] | Performance | 2006/Dec/01 | Convento dos Remédios | Évora | Portugal | António Carrilho . recorder | Notes | ||
Música para O Processo de Camilo | Premiere | 2006/Oct/14 | Teatro da Vilarinha | Porto | Portugal | Theatre music for Artur Costa's piece, with staging by João Luiz, scenography by João Calvário, costumes by Alexandra Vaz, lighting design by Vitor Correia, performance by Ivo Alexandre, José Pedro Ferraz, Emílio Gomes, Anabela Nóbrega & Rui Spranger; co-production: Pé de Vento/Efémero Music performer (recording): Sofia Novo . cello |
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Der Schauspieldirektor . W. A. Mozart | Premiere | 2006/Jul/20 | Museu do Carro Eléctrico | Porto | Portugal | Musical direction by António Saiote, staging by Inês Vicente, scenography and costumes by Helena Beselga and Inês Vicente, light design by Ricardo Alves, with Rodrigo Malvar (Frank – o Empresário/actor); Bruno Pereira (Buff/bass), Carla Caramujo (Madame Herz/soprano), Catarina Sereno/Sara Carneiro (Mademoisele Silverklang /soprano), Fernando Guimarães (Sr. Vogelsang/tenor), Sónia Carina Correia (Madame Vogelsang/actress), Margarida Vasconcelos (Madame Pfeil/actress), Joana Carvalho (Madame Krone/actress), Ensemble Drama per Musica [Ivone Saiote (fl), João Moreira (cl), Luís Alves (ob), Ricardo Ramos (fg), Ana Abrantes (cor), Hélder Fernandes (trp), Pedro Rocha (vl I), Vítor Sousa (vl II), Jorge Alves (vla), Vasco Alves (vlc), Cláudia Rodet (cb)]; co-production Universidade Católica/Drama per Musica/António Salgado (coordination) | Notes | performances also on July 21 and 22 | |
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Impulso [madrugada] | Premiere | 2006/Jun/17 | Noble Hall at the São João National Theatre | Porto | Portugal | Manuel Joaquim Silva . saxophone | Notes | ||
Duplum [my sweet old etcetera] | Performance | 2006/May/13 | Cine-Teatro | Covilhã | Portugal | António Carrilho . recorder | Notes | ||
Duplum [my sweet old etcetera] | Performance | 2006/May/03 | Auditório José de Castro da Academia de Música | Vilar do Paraíso | Portugal | António Carrilho . recorder | Notes | ||
Duplum [my sweet old etcetera] | Performance | 2006/Apr/13 | 4.º Corso internazionale di flauto dolce | Casermetta S. Croce | Lucca | Italy | António Carrilho . recorder | Notes | |
Duplum [my sweet old etcetera] | Performance | 2006/Mar/05 | Concerto Antena 2 | Pequeno Auditório do Europarque | Santa Maria da Feira | Portugal | António Carrilho . recorder | Notes | |
Duplum [my sweet old etcetera] | Performance | 2006/Mar/04 | Maus Hábitos, Espaço de Intervenção Cultural | Porto | Portugal | António Carrilho . recorder | Notes | ||
Duplum [my sweet old etcetera] | Premiere | 2006/Feb/26 | Calempluy Hall at the Belém Arts Centre | Lisbon | Portugal | António Carrilho . recorder | Notes | ||
L’Enfant prodigue . Claude Debussy | Premiere | 2005/Jul/09 | Ilídio Pinho Auditorium, Art School of the Catholic University | Porto | Portugal | Musical direction by Cesário Costa, staging by Jane Davidson, sconography and light design by Ricardo Alves, costumes by Sílvia Lizi, with Maria João Pereira (Lia/soprano), Fernando Guimarães (Azaël/tenor), Patrício Pereira (Siméon/baritone), João Azevedo (boy); choir: Catarina Sereno, Eva Simões, Sara Carneiro, Fernando Guimarães, Luís Toscano, Vítor Moreira, Bruno Pereira, Ensemble Drama per Musica: Ivone Saiote (fl), José Eduardo (cl), Cândida Oliveira (cl), Nelson Gonçalves (ob), Hélder Pereira (cor), Pedro Rocha (vl I), Marta Eufrázio (vl II), David Lloyd (vla), Aaron Choi (vlc), Cláudia Rodet (cb), Andres Perez (perc), Fiammetta Facchini (pf); production: Porto Catholic University/António Salgado (coordination) | Notes | ||
Sete Acontecimentos | Premiere | 2004/Apr/09 | Galeria Artes Múltiplas | Porto | Portugal | Nelson Alves . oboe | Notes | ||
Música para Escrever, falar | Performance | 2004/Mar/25 | Portogofone – Quatro Dias Mundiais do Teatro | Teatro Rivoli | Porto | Portugal | Theatre music for Jacinto Lucas Pires' piece, with staging by Marcos Barbosa de Matos, scenography & costumes by Sara Amado, lighting design by José Álvaro Correia, performance by Nicolau Pais & Hugo Torres; production: .lilástico | Notes | Performances until March 27, 2004 |
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Die Sieben Todsünden . Kurt Weill | Premiere | 2003/Jul/17 | Museu do Carro Eléctrico | Porto | Portugal | António Sérgio Ferreira (musical direction), Jane Davidson (staging), Ângela Alves (AnnaI/soprano), Catarina Costa e Silva (Anna II/dancer); choir/family: Carlos Nogueira (tenor), Leonel Pinheiro (tenor), Patrício Pereira (baritone), Nuno Dias (bass), Sandra Camarinha (fl), Nuno Madureira (cl), Manuel Joaquim Silva (sax), Ricardo Gomes (gt), Vital Dozenko (pf), Margarida Gomes (vl), Márcio Domingues (cb); production Opera Studio at the University of Aveiro and Drama per Musica | Notes | ||
Música para No fundo, no fundo | Performance | 2002/Oct/25 | Casa das Artes | Famalicão | Portugal | Theatre music for Jacinto Lucas Pires' piece, with staging by Marcos Barbosa de Matos, scenography & costumes by Sara Amado e Bárbara Costa Lima, lighting design by José Álvaro Correia, performance by Cátia Pinheiro & Marcos Barbosa de Matos; co-production .lilástico/Teatro Nacional São João | Notes | Performances until October 27, 2002 | |
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Música para No fundo, no fundo | Performance | 2002/Oct/18 | Teatro Helena Sá e Costa | Porto | Portugal | Theatre music for Jacinto Lucas Pires' piece, with staging by Marcos Barbosa de Matos, scenography & costumes by Sara Amado e Bárbara Costa Lima, lighting design by José Álvaro Correia, performance by Cátia Pinheiro & Marcos Barbosa de Matos; co-production .lilástico/Teatro Nacional São João | Notes | Performance also on October 19, 2002 | |
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Música para No fundo, no fundo | Performance | 2002/Sep/27 | Teatro da Garagem | Lisbon | Portugal | Theatre music for Jacinto Lucas Pires' piece, with staging by Marcos Barbosa de Matos, scenography & costumes by Sara Amado e Bárbara Costa Lima, lighting design by José Álvaro Correia, performance by Cátia Pinheiro & Marcos Barbosa de Matos; co-production .lilástico/Teatro Nacional São João | Notes | Performances untill October 6, 2002 | |
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Música para No fundo, no fundo | Premiere | 2002/Aug/23 | Centre of Performative Arts of Algarve (CAPA) | Faro | Portugal | Theatre music for Jacinto Lucas Pires' piece, with staging by Marcos Barbosa de Matos, scenography & costumes by Sara Amado e Bárbara Costa Lima, lighting design by José Álvaro Correia, performance by Cátia Pinheiro & Marcos Barbosa de Matos; co-production .lilástico/Teatro Nacional São João | Notes | ||
Música para Escrever, falar | Performance | 2002/Jul/19 | Sala Estúdio do Teatro Nacional D. Maria II | Lisbon | Portugal | Theatre music for Jacinto Lucas Pires' piece, with staging by Marcos Barbosa de Matos, scenography & costumes by Sara Amado, lighting design by José Álvaro Correia, performance by Nicolau Pais & Hugo Torres; production: .lilástico | Notes | Performances until July 28, 2002 | |
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Música para Escrever, falar | Premiere | 2001/Nov/21 | Bad Habits - Space for Cultural Intervention | Porto | Portugal | Theatre music for Jacinto Lucas Pires' piece, with staging by Marcos Barbosa de Matos, scenography & costumes by Sara Amado, lighting design by José Álvaro Correia, performance by Nicolau Pais & Hugo Torres; production: .lilástico | Notes | ||
Sete Acontecimentos | Premiere | 2001/Jun/29 | Auditório da Academia de Música | Castelo de Paiva | Portugal | Raquel Lima . flute | Notes | ||
Música para Variações sobre os Patos | Performance | 2001/May/13 | Teatro de la Ciudad | México, Monterrey | Mexico | Theatre music for David Mamet's piece; collective creation directed by Marcos Barbosa de Matos, dramaturgy by Jacinto Lucas Pires, scenography & costumes by Sara Amado, Tomás Cunha Ferreira & Bárbara Costa Lima, performance by Milton Lopes & Marcos Barbosa de Matos; production: .lilástico. Music performer (recording): Virgínia Figueiredo (clarinet) |
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Música para Variações sobre os Patos | Performance | 2001/May/08 | Tiro del Centro de las Artes | Nuevo León, Monterrey | Mexico | Theatre music for David Mamet's piece; collective creation directed by Marcos Barbosa de Matos, dramaturgy by Jacinto Lucas Pires, scenography & costumes by Sara Amado, Tomás Cunha Ferreira & Bárbara Costa Lima, performance by Milton Lopes & Marcos Barbosa de Matos; production: .lilástico. Music performer (recording): Virgínia Figueiredo (clarinet) |
Notes | Performances until May 11, 2001 | |
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Variações Mamet | Premiere | 2001/Apr/12 | Música Viva 2001 Festival | Café Concerto da Escola Superior de Musica e das Artes do Espectáculo | Porto | Portugal | Vítor Pereira . clarinet | Notes | |
Música para Variações sobre os Patos | Performance | 2001/Mar/21 | Gymnasium of the Secondary School | Trofa | Portugal | Theatre music for David Mamet's piece; collective creation directed by Marcos Barbosa de Matos, dramaturgy by Jacinto Lucas Pires, scenography & costumes by Sara Amado, Tomás Cunha Ferreira & Bárbara Costa Lima, performance by Milton Lopes & Marcos Barbosa de Matos; production: .lilástico. Music performer (recording): Virgínia Figueiredo (clarinet) |
Notes | Performances until March 23, 2001 | |
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Die Sieben Todsünden . Kurt Weill | Partial premiere | 2000/Oct/06 | Teatro Helena Sá e Costa | Porto | Portugal | Staging and direction by Patrícia Franco, stage and director assistant - Carolina Losa, light design by José Álvaro Correia, costumes by Patrícia Franco and Carolina Losa, scenography by Nuno Lucena, scenography assistant - Cláudia Sousa, video by António Pires, performance by Patrícia Franco (Anna I/actress), Vanessa Dutra (Anna II/actress), João M. Mota, Solange Sá and Cláudia Silva; Patrícia Brandão and Emílio Saro (performance) Music performers: Carolina Ferreira (fl), Alberto Bastos (cl), Rosa Oliveira (sax), Hugo Sanches (gt), Carlos Pinto da Costa (vln), Ana Teresa Pires (pf), Cláudia Rodet (cb) |
Notes | 1st version, without choir and the respective instrumental parts; version realized in collaboration with Pedro Santos | |
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Música para O Primeiro Encontro | Performance | 2000/Jul/06 | Mimarte – Festival de Teatro | Auditório Municipal Galécia | Braga | Portugal | Theatre music for Hugo Santander Ferreira's piece, with staging by Hugo Santander, Diana Sá (staging assistant), scenography & costumes by Carolina Losa, lighting design by José Alvaro Ferreira, performance by Carolina Losa & Pedro Santos; production: Ao Cabo Teatro Music performers: Carlos Lima . guitar Pedro Junqueira Maia . piano Jan Pipal . violin Carlos Pinto da Costa . violin Amândio Costa . viola Melanie Paula . cello |
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Música para O Primeiro Encontro | Premiere | 2000/Jun/23 | Diogo de Bernardes Theatre | Ponte de Lima | Portugal | Theatre music for Hugo Santander Ferreira's piece, with staging by Hugo Santander, Diana Sá (staging assistant), scenography & costumes by Carolina Losa, lighting design by José Alvaro Ferreira, performance by Carolina Losa & Pedro Santos; production: Ao Cabo Teatro Music performers: Carlos Lima . guitar Pedro Junqueira Maia . piano Jan Pipal . violin Carlos Pinto da Costa . violin Amândio Costa . viola Melanie Paula . cello |
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Música para Variações sobre os Patos | Premiere | 2000/Apr/01 | S. Vicente de Fora Monastery | Lisbon | Portugal | Theatre music for David Mamet's piece; collective creation directed by Marcos Barbosa de Matos, dramaturgy by Jacinto Lucas Pires, scenography & costumes by Sara Amado, Tomás Cunha Ferreira & Bárbara Costa Lima, performance by Milton Lopes & Marcos Barbosa de Matos; production: .lilástico. Music performer (recording): Virgínia Figueiredo (clarinet) |
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Música para Imperfeito, mais que breve | Premiere | 1998/Aug/08 | Association for the Support of the Portuguese Community | Pretoria | South Africa | Ana Cortez . flute Pedro Junqueira Maia . piano (recording) |
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Ensaio | Premiere | 1996/Dec/06 | Auditório Adelina Caravana do Conservatório de Música Calouste Gulbenkian | Braga | Portugal | Isabel Lima . piano | Notes | ||