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JOÃO CARLOS PINTO (*1998) was born in Braga, Portugal. He studied Piano and Music Composition at the Gulbenkian Conservatory in Braga, did his bachelor in Composition at the Escola Superior de Música de Lisboa, and pursued his Master’s in Multimedia Composition at the Hochschule für Musik und Theater Hamburg, having Alexander Schubert as his tutor. His work has been presented in countries like: South Korea, USA, Colombia, Mexico, Argentina, Germany, France, The Netherlands, Austria, Switzerland, Italy, Belgium, Norway, Iceland, Denmark, Spain and all over Portuguese territory. Has received commissions by: UNESCO, Braga Media Arts, ZKM Karlsruhe, Gaudeamus, Schallfeld Ensemble, ensemble neoN, RTP, Antena 2, Casa da Música, Centro Cultural de Belém, Gulbenkian Orchestra, Jovem Orquestra Portuguesa, Orquestra das Beiras, Arte no Tempo and Aveiro City Council. As a performer, he interprets works of experimental new theatre (f.e. with Tobias Pfeil, Diego Muhr), as well he plays electronic instruments that he builds and modifies, in projects like: CACO.MEAL, Omniae Large Ensemble, Peter Evans’ Som Crescente and xD. João’s scores are edited and distributed by: Babel Scores, MPMP, Scherzo Editions and Arte no Tempo. EXTERNAL LINKS João Carlos Pinto Last update: July 9th, 2024 |
Last update: July 9th, 2024
Title of work | Date | Commissioning body | URL | Town | Country | Notes | Invisible Column 0 | Invisible Column |
La Vie | 2020 | Arte no Tempo | URL | Aveiro | Portugal | Notes | https://artenotempo.pt | |
Estudo para Clarinete e Eletrónica | 2019 | Arte no Tempo | URL | Aveiro | Portugal | Notes | https://artenotempo.pt | |
Music for Percussion | 2019 | Arte no Tempo | URL | Aveiro | Portugal | Notes | https://artenotempo.pt/ | Project financed by DGArtes |
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Pontos | 2018 | Arte no Tempo | URL | Aveiro | Portugal | Notes | https://artenotempo.pt | |
Concerto de saxofone | 2021 | Aveiro City Council | URL | Aveiro | Portugal | Notes | https://www.cm-aveiro.pt/ | |
Quarteto de Cordas n.º 1 | 2020 | CCB · Belém Arts Centre Foundation for the Music Days 2020 | URL | Lisbon | Portugal | Notes | https://www.ccb.pt | |
Title of work | Name of Award | Prize | Date | Awarding body | URL | Town | Country | Notes | Invisible Column | Invisible Column 2 |
"Luciano Berio Composition Competition” | Finalist | 2023 | Accademia Nazionale di Santa Cecilia | Rome | Italy | Notes | ||||
ENOA workshop with Luca Francesconi & Orquestra Gulbenkian | Selected | 2023 | Fundação Calouste Gulbenkian | Lisbon | Portugal | Notes | ||||
Lumen Prize | Shortlist | 2023 | Lumen | URL | United Kingdom | Notes | https://www.lumenprize.com/2023-winners | |||
Scolarship | 2022 | Hochschule für Musik und Theater Hamburg | URL | Hamburg | Germany | Notes | https://www.hfmt-hamburg.de/ | |||
Scholarship | 2022 | Johannes Brahms Stiftung | URL | Hamburg | Germany | Notes | https://www.brahms-stiftung.de/ | |||
“tubo de ensaio 02" | Winner | 2020 | Arte no Tempo | URL | Aveiro | Portugal | Notes | https://artenotempo.pt/ | ||
“City to City" | Winner | 2020 | UNESCO | URL | Braga | Portugal | Notes | https://www.bragamediaarts.com/en/ | ||
Bijloke Summer Academy | Winner | 2019 | URL | Ghent | Belgium | Notes | https://www.enoa-community.com/member/lod/ | |||
Young Associated Composer to Estúdios Victor Córdon . partnership with São Carlos National Theatre and the National Ballet Company | Young Associated Composer | 2019 | Estúdios Victor Córdon | Lisbon | Portugal | Notes | ||||
"Laboratórios de Verão" | Winner | 2019 | gnration | URL | Braga | Portugal | Notes | https://www.gnration.pt/ | ||
Festival ManiFeste | Selected | 2019 | IRCAM | Centre Pompidou | URL | Paris | France | Notes | https://www.ircam.fr/ | ||
Nadir | 2nd Prize - 6th National Composition Competition BSP | 2018 | Banda Sinfónica Portuguesa | URL | Porto | Portugal | Notes | http://www.bandasinfonicaportuguesa.com/bsp | ||
"VI Concurso de Composição” | 2nd prize | 2018 | Banda Sinfónica Portuguesa | URL | Portugal | Notes | https://www.bandasinfonicaportuguesa.com/ | |||
Film Music Competition | Best piece in the genre - War Movie | 2016 | Associazione Ravel | Italy | Notes | |||||
NanoMúsicos Eletroacústicos | 1st prize | 2016 | Festival DME | URL | Lisbon | Portugal | Notes | http://www.projecto-dme.org/ | ||
Work | Type | Date | Organization/Event | Local | Town | Country | Performer(s) | Notes | Invisible Column |
anti-manifesto.exe | Performance | 2024/Nov/29 | Oil Tank Culture Park | Seoul | South Korea | Notes | |||
Mermaids | Premiere | 2024/Nov | Agit Lab | Águeda | Portugal | Inês Filipe and Wojchiech Rybicki (dança) | Notes | ||
idontlikemetut(yo)u | Premiere | 2024/Oct/14 | Scena Robocza | Poznań | Poland | Inês Filipe and Wojchiech Rybicki (dance) | Notes | ||
Responsorio | Premiere | 2024/Jun/28 | Workshop Composing for Voices and Orchestra | Fundação Calouste Gulbenkian | Lisbon | Portugal | André Henriques (baritone) Orquestra Gulbenkian Luca Francesconi (conductor) |
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anti-manifesto.exe | Performance | 2024/Mar | Cigarra | Lisbon | Portugal | Tomás Moital · performer | Notes | ||
Estudo para Clarinete e Eletrónica | Performance | 2024/Jan/21 | Cigarra | Lisbon | Portugal | Concrète [Lab] Ensemble | Notes | ||
AD HOMINEM | Performance | 2023/Oct/29 | Vila do Conde | Portugal | Notes | (video version) | |||
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AD HOMINEM | Performance | 2023/Oct/19 | Aures London | London | United Kingdom | Notes | (video version) | ||
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AD HOMINEM | Performance | 2023/Sep/23 | Annka Kultys Gallery | London | United Kingdom | Notes | From September 23 to October 14 (video version) | ||
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Music for Percussion | Premiere | 2023/Sep/02 | Casa da Música | Porto | Portugal | Pedro Carneiro, Miquel Bernat, Eduardo Cardinho,João Dias, Marco Fernandes, Bruno Costa, Miguel Herrera (percussion) Mário Teixeira (conductor) |
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Concerto de saxofone | Performance | 2023/May/28 | 4th COntemporary Music Reenconters | Teatro Aveirense | Aveiro | Portugal | Luís Salomé (saxophone), Orquestra das Beiras, Nuno Coelho (direction) | Notes | |
Concerto de saxofone | Premiere | 2023/May/25 | Aveirense Theatre | Aveiro | Portugal | Luís Salomé (saxophone), Orquestra das Beiras, Nuno Coelho (direction) | Notes | ||
AD HOMINEM | Performance | 2023/May/13 | gnration | Braga | Portugal | João Carlos Pinto (performer); Rodrigo Constanzo, André Teixeira, Pedro Melo Alves, João Grilo, Diogo Ferreira, Sara Marita, Marianne Harlé [special guests (disciples)] | Notes | ||
Limbo audiovisual | Performance | 2023/Feb/12 | Microcentro cuenta | Buenos Aires | Argentina | Notes | |||
Limbo audiovisual | Performance | 2023/Feb/11 | Microcentro cuenta | Buenos Aires | Argentina | Notes | |||
AD HOMINEM | Performance | 2023/Feb/11 | Lichthof Theater | Hamburg | Germany | João Carlos Pinto (performer); Lucas Xerxes, Victor E. Gutiérrez, Fiona Xue Ju, Michael Brailey, ONNAM, Viktor Toikkannen, Marta Haladzhun [special guests (disciples)] | Notes | ||
Limbo audiovisual | Performance | 2023/Feb/10 | Microcentro cuenta | Buenos Aires | Argentina | Notes | |||
AD HOMINEM | Performance | 2023/Feb/10 | Lichthof Theater | Hamburg | Germany | João Carlos Pinto (performer); Lucas Xerxes, Victor E. Gutiérrez, Fiona Xue Ju, Michael Brailey, ONNAM, Viktor Toikkannen, Marta Haladzhun [special guests (disciples)] | Notes | ||
Limbo audiovisual | Performance | 2023/Feb/09 | Microcentro cuenta | Buenos Aires | Argentina | Notes | |||
Limbo audiovisual | Performance | 2023/Feb/08 | Microcentro cuenta | Buenos Aires | Argentina | Notes | |||
Limbo audiovisual | Performance | 2023/Feb/07 | Microcentro cuenta | Buenos Aires | Argentina | Notes | |||
Limbo audiovisual | Performance | 2023/Feb/06 | Microcentro cuenta | Buenos Aires | Argentina | Notes | |||
Limbo audiovisual | Performance | 2023/Feb/05 | Microcentro cuenta | Buenos Aires | Argentina | Notes | |||
Limbo audiovisual | Performance | 2023/Feb/04 | Microcentro cuenta | Buenos Aires | Argentina | Notes | |||
Limbo audiovisual | Performance | 2023/Feb/03 | Microcentro cuenta | Buenos Aires | Argentina | Notes | |||
Limbo audiovisual | Performance | 2023/Feb/02 | Microcentro cuenta | Buenos Aires | Argentina | Notes | |||
Ninguém me ensinou a olhar | Performance | 2022/Oct/23 | Porto Municipal Theatre | Porto | Portugal | Andreia Alpuim, Andreia Marinho, Joana Cunha Pinto (dance) | Notes | ||
Ninguém me ensinou a olhar | Performance | 2022/Oct/22 | Porto Municipal Theatre | Porto | Portugal | Andreia Alpuim, Andreia Marinho, Joana Cunha Pinto (dance) | Notes | ||
Nothingness as an emergence | Premiere | 2022/Oct/20 | Oil Tank Culture Park | Seoul | South Korea | Kumhee Lee (cello) | Notes | ||
anti-manifesto.exe | Performance | 2022/Apr/21 | matik matik | Bogotá | Colombia | Juliana Santacruz · performer | Notes | ||
AD HOMINEM | Premiere | 2022/Apr/14 | O'culto da Ajuda | Lisbon | Portugal | João Carlos Pinto (performer); Diogo Ferreira, Sara Marita, Paulo Amendoeira, Miguel Curado [special guests (disciples)] | Notes | ||
Limbo audiovisual | Performance | 2022/Mar/24 | Reykjanes Art Museum | Keflavík | Iceland | Notes | |||
Limbo audiovisual | Performance | 2022/Mar/23 | Reykjanes Art Museum | Keflavík | Iceland | Notes | |||
Limbo audiovisual | Performance | 2022/Mar/22 | Reykjanes Art Museum | Keflavík | Iceland | Notes | |||
Limbo audiovisual | Performance | 2022/Mar/21 | Reykjanes Art Museum | Keflavík | Iceland | Notes | |||
Limbo audiovisual | Performance | 2022/Mar/20 | Reykjanes Art Museum | Keflavík | Iceland | Notes | |||
Limbo audiovisual | Performance | 2022/Mar/19 | Reykjanes Art Museum | Keflavík | Iceland | Notes | |||
Limbo audiovisual | Performance | 2022/Mar/18 | Reykjanes Art Museum | Keflavík | Iceland | Notes | |||
Limbo audiovisual | Performance | 2022/Mar/17 | Reykjanes Art Museum | Keflavík | Iceland | Notes | |||
anti-manifesto.exe | Performance | 2021/Dec/27 | Casa da Música | Porto | Portugal | João Dias · performer | Notes | ||
Limbo audiovisual | Performance | 2021/Dec/18 | gnration | Braga | Portugal | Notes | |||
Limbo audiovisual | Performance | 2021/Dec/17 | gnration | Braga | Portugal | Notes | |||
Limbo audiovisual | Performance | 2021/Dec/16 | gnration | Braga | Portugal | Notes | |||
Quarteto de Cordas n.º 1 | Performance | 2021/Oct/07 | Serralves | Porto | Portugal | Ensemble ars ad hoc | Notes | ||
THIS PIECE HAD A DIFFERENT NAME | Performance | 2021/Oct/02 | Calouste Gulbenkian Fundation | Lisbon | Portugal | Jovem Orquestra Portuguesa Pedro Carneiro (conductor) |
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Limbo audiovisual | Premiere | 2021/Sep/17 | Badisches Staatstheater | Karlsruhe | Germany | Notes | |||
Studies for figures and forms | Performance | 2021/Sep/12 | Litteraturhuset | Oslo | Norway | ars ad hoc · Ricardo Carvalho (flute), Horácio Ferreira (detuned clarinet), João Casimiro Almeida (prepared piano), Álvaro Pereira (violin), Diogo Almeida (violin), Francisco Lourenço (viola), Gonçalo Lélis (cello) | Notes | ||
THIS PIECE HAD A DIFFERENT NAME | Premiere | 2021/Jul/30 | Belém Cultural Centre | Lisbon | Portugal | Jovem Orquestra Portuguesa Pedro Carneiro (conductor) |
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TOYS ARE US | Premiere | 2021/Jul/30 | Centro Cultrual de Belém | Lisbon | Portugal | Portuguese Youth Orchestra, a href="http://mic.pt/dispatcher?where=1&what=2&show=0&interprete_id=44&lang=EN" target="_blank">Pedro Carneiro (direction), Teresa Simas (staging) | Notes | ||
Studies for figures and forms | Premiere | 2021/Jul/04 | Serralves Foundation | Porto | Portugal | ars ad hoc · Ricardo Carvalho (flute), Horácio Ferreira (detuned clarinet), João Casimiro Almeida (prepared piano), Álvaro Pereira (violin), Diogo Almeida (violin), Francisco Lourenço (viola), Gonçalo Lélis (cello) | Notes | ||
anti-manifesto.exe | Premiere | 2021/Jun/19 | Sinaloense Institute of Culture | Sinaloa | Mexico | Bere Arias · performer | Notes | ||
Concerto de saxofone | Pre-premiere | 2021/May/22 | Contemporary Music Reencounters 2021 | Reitoria da Universidade de Aveiro | Aveiro | Portugal | Orquestra das Beiras, Nuno Coelho (direction), Luís Salomé (saxophone) | Notes | |
La Vie | Premiere | 2021/May/21 | Contemporary Music Reencounters 2021 | GrETUA | Aveiro | Portugal | Ricardo Carvalho (flute), João Casimiro Almeida (piano) | Notes | |
Ninguém me ensinou a olhar | Performance | 2021/May/19 | Porto Ageas Coliseum | Porto | Portugal | Andreia Alpuim, Andreia Marinho, Joana Cunha Pinto (dance) | Notes | ||
anti-manifesto.exe | Performance | 2021/May/08 | Conservatori Liceu | Barcelona | Spain | Núria Carbó · performer | Notes | ||
Ninguém me ensinou a olhar | Premiere | 2020/Nov/13 | José Lúcio da Silva Theatre | Leiria | Portugal | Andreia Alpuim, Andreia Marinho, Noeli Kikuchi (dance) | Notes | ||
Estudo para Clarinete e Eletrónica | Premiere | 2020/Sep/06 | Aveiro_Síntese 2020 | Aveirense Theatre | Aveiro | Portugal | Miguel Oliveira · clarinet; João Soeiro · clarinet; Nádia Carvalho · electronics | Notes | |
Pontos | Premiere | 2020/Sep/06 | Aveiro_Síntese 2020 | Aveirense Theatre | Aveiro | Portugal | Carolina Correia · cello; Nádia Carvalho · electronics | Notes | |
Quarteto de Cordas n.º 1 | Premiere | 2020/Aug/30 | Aveiro_Síntese 2020 | Aveirense Theatre | Aveiro | Portugal | ars ad hoc · string quartet; Álvaro Pereira and Diogo Coelho · violins; Ricardo Gaspar · viola; Pedro Vaz · cello | Notes | |
anti-manifesto.exe | Performance | 2019/Oct/18 | CEMI Circles | Texas | United States of America | Notes | |||
anti-manifesto.exe | Premiere | 2019/Jan/17 | La Esfera: Colectivo | Music College of Lisbon (ESML) | Lisbon | Portugal | João Carlos Pinto · performer | Notes | |
Que ninguém conheça este meu (verdadeiro) nome... | Premiere | 2018/Mar/19 | Peças Frescas 2018 | São Luiz Teatro Municipal | Lisbon | Portugal | Notes | ||
Nadir | Premiere | 2018/Mar/18 | 6th National Composition Competition BSP | Casa da Música | Porto | Portugal | Banda Sinfónica Portuguesa Pedro Neves . conductor |
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Type (+ sub-type) |
Cover/edition title Document title |
Authors | Referring to | Publisher | Date | |
Audio Music |
Criação, Circulação, Registo Áudio e Edição de Obras de Música Portuguesa Contemporânea Carlos Caires, António Pinho Vargas, João Madureira, Pedro Lima, João Carlos Pinto João Carlos Pinto · Nadir |
nadir
João Carlos Pinto |
MPMP – Movimento Patrimonial pela Música Portuguesa |
2019 2020 |
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Photos / Images Photograph |
João Carlos Pinto (1) © Marianne Harlé | Marianne Harlé |
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João Carlos Pinto (2) © Marianne Harlé | Marianne Harlé |
João Carlos Pinto |
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João Carlos Pinto (3) © Marianne Harlé | Marianne Harlé |
João Carlos Pinto |
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João Carlos Pinto (4) © Marianne Harlé | Marianne Harlé |
João Carlos Pinto |
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João Carlos Pinto (5) © Marianne Harlé | Marianne Harlé |
João Carlos Pinto |