Broken Time(s) |
Premiere |
2023/Dec/20 |
|
Casa da Cultura de Seia |
Seia |
Portugal |
Rodrigo Lima (saxophone)
José Grossinho (electric guitar)
João Dias (percussion) |
Notes |
|
|
Campanhã |
Premiere |
2023/Nov/10 |
Obras Portuenses da Década de 20 |
Igreja de São Pedro de Miragaia |
Porto |
Portugal |
Supernova Ensemble
João Dias (percussion)
Clara Saleiro (flute)
Carina Albuquerque (cello)
Frederic Cardoso (clarinet) |
Notes |
|
|
Livro de bolso — sobre 4 poemas de Eugénio de Andrade |
Premiere |
2023/Oct/14 |
17th Síntese Festival |
Centro de Cultura Contemporânea |
Castelo Branco |
Portugal |
Síntese – Grupo de Música Contemporânea
Jan Wierzba (conductor) |
Notes |
|
|
Time Poem #1 |
Premiere |
2022/Jan/27 |
|
Culture Centre in Chaves |
Chaves |
Portugal |
Drumming – Percussion Group; Marimba Quartet: André Dias, Miquel Bernat, João Miguel Simões and Pedro Góis |
Notes |
|
|
Time Poem #2 |
Premiere |
2022/Jan/27 |
|
Culture Centre in Chaves |
Chaves |
Portugal |
Drumming – Percussion Group; Marimba Quartet: André Dias, Miquel Bernat, João Miguel Simões and Pedro Góis |
Notes |
|
|
On the resolution of regional tensions |
Premiere |
2017/Sep/27 |
13th International Symposium on Computer Music Multidisciplinary Research (CMMR2017) |
CARA |
Matosinhos |
Portugal |
Matosinhos Jazz Orchestra |
Notes |
|
|
1985 |
Premiere |
2015/Oct/26 |
A.BEL New Interactive Music . Celebrations of INESC TEC 30 Years |
Casa da Música |
Porto |
Portugal |
André Dias (percussion), Gilberto Bernardes (saxophone) and Digitópia Collective . perfromance
Digitópia Collective . Tiago Ângelo, Óscar Rodrigues, Nuno Hespanhol e Filipe Lopes (special guest) |
Notes |
|
|
Entre Nova Iorque e Cabul |
Premiere |
2008/May/18 |
Belém Art Centre / OrchestrUtopica - In Extremis |
Belém Art Centre / Luís Freitas Branco Room |
Lisbon |
Portugal |
OrchestrUtopica:
Rita Nunes (soprano saxophone), Cecliu Isfan (viola), Jed Barahal (cello), Petio Kalomensky (double bass) |
Notes |
|
|
Entre Nova Iorque e Cabul |
Performance |
2007/Mar/26 |
Electroacoustic Music Days |
Arts House |
Seia |
Portugal |
|
Notes |
|
|
Will.0.w1sp |
Premiere |
2005/Mar/16 |
|
De Waag Society |
Amsterdão |
Netherlands |
|
Notes |
|
|
Olivia |
Premiere |
2004/May/06 |
|
Rivoli Theatre |
Oporto |
Portugal |
|
Notes
|
Oporto Balleteatro
Isabel Barros (choreography and intepretation)
|
Oporto Balleteatro
Isabel Barros (choreography and intepretation) |
|
O Mundo de Alex |
Premiere |
2004/Feb/20 |
|
Balleteatro Auditorium |
Oporto |
Portugal |
|
Notes
|
Oporto Puppets Theatre
João Paulo Seara Cardoso (stage direction)
|
Oporto Puppets Theatre
João Paulo Seara Cardoso (stage direction) |
|
Cor |
Premiere |
2003/Jun/17 |
|
Casa da Música |
Oporto |
Portugal |
|
Notes |
|
|
Étude for Unstable Time |
Premiere |
~ 2003 |
|
|
|
|
|
Notes
|
Maxime Iannarelli (choreography)
|
Maxime Iannarelli (choreography) |
|
Pó |
Premiere |
2002/Jul/04 |
|
São João National Theatre |
Oporto |
Portugal |
Henk van Twillert (saxophones) |
Notes
|
Oporto Balleteatro
Isabel Barros (choreography)
|
Oporto Balleteatro
Isabel Barros (choreography) |
|
A Demolição |
Performance |
2002/Mar/01 |
|
Casa da Música |
Porto |
Portugal |
Paula Dória (soprano), Rui Taveira (tenor), António Salgado (baritone)
Ensemble instrumental
People from Aldoar
Peter Bergamin (conductor) |
Notes |
|
|
A Demolição |
Performance |
2002/Feb/28 |
|
Casa da Música |
Porto |
Portugal |
Paula Dória (soprano), Rui Taveira (tenor), António Salgado (baritone)
Ensemble instrumental
People from Aldoar
Peter Bergamin (conductor) |
Notes |
|
|
A Demolição |
Premiere |
2002/Feb/27 |
|
Casa da Música |
Porto |
Portugal |
Paula Dória (soprano), Rui Taveira (tenor), António Salgado (baritone)
Ensemble instrumental
People from Aldoar
Peter Bergamin (conductor) |
Notes |
|
|
The Chrysalids |
Premiere |
2001/Nov |
|
Provincetown Playhouse |
New York |
United States of America |
|
Notes
|
Alistair Martin-Smith (stage direction)
|
Alistair Martin-Smith (stage direction) |
|
Quarto Escuro |
Premiere |
2001/Oct/19 |
|
Helena Sá e Costa Theatre |
Oporto |
Portugal |
|
Notes
|
Oporto Balleteatro
Isabel Barros (choreography)
|
Oporto Balleteatro
Isabel Barros (choreography) |
|
Antes de Amanhã |
Premiere |
2001/Jan |
Locarno International Festival |
|
Locarno |
Italy |
|
Notes
|
Film première
|
|
Imaginary Friends |
Premiere |
2000/Nov |
|
Provincetown Playhouse |
New York |
United States of America |
|
Notes
|
Alistair Martin-Smith (stage direction)
|
Alistair Martin-Smith (stage direction) |
|
SHUSH |
Premiere |
2000/Jul/12 |
|
|
Brasília |
Brazil |
|
Notes
|
Anne Katrine Kallmoes (choreography)
|
Anne Katrine Kallmoes (choreography) |
|
Árvore de Natal |
Premiere |
1999/Dec |
|
Rivoli Theatre |
Oporto |
Portugal |
|
Notes |
|
|
The Pinballs |
Premiere |
1999/Apr |
|
Provincetown Playhouse |
New York |
United States of America |
|
Notes
|
Alistair Martin-Smith (stage direction)
|
Alistair Martin-Smith (stage direction) |
|
Acidente Cor-de-Laranja Dez Vezes |
Premiere |
1998/Jul |
Expo '98 - Mergulho no Futuro Festival |
|
Lisbon |
Portugal |
|
Notes
|
Oporto Balleteatro
Isabel Barros (choreography)
|
Oporto Balleteatro
Isabel Barros (choreography) |
|
Acra's Dans |
Premiere |
1998/May |
Cassandra IV Performance |
New York University - Frederick Loewe Theater |
New York |
United States of America |
Cassandra IV |
Notes
|
Renata Chelikowska (choreography)
|
Renata Chelikowska (choreography) |
|
Young Eugene |
Premiere |
1998/Jan |
|
Provincetown Playhouse |
New York |
United States of America |
|
Notes
|
Nancy Swortzell (stage direction)
|
Nancy Swortzell (stage direction) |
|
Études V2.0 |
Premiere |
1997/Dec |
|
USA / Japan Intercollege Computer Music Festival |
Tokyo |
Japan |
|
Notes |
|
|
Screen |
Premiere |
1997/Jul |
|
Balleteatro Auditorium |
Oporto |
Portugal |
|
Notes
|
Oporto Balleteatro
Isabel Barros (choreography)
|
Oporto Balleteatro
Isabel Barros (choreography) |
|
Afternoon of the Elves |
Premiere |
1997/Apr |
|
Black Box Theatre |
New York |
United States of America |
|
Notes
|
Alistair Martin-Smith (stage direction)
|
Alistair Martin-Smith (stage direction) |
|
Unnatural Selection |
Premiere |
1997/Apr |
|
Irish Arts Centre |
New York |
United States of America |
|
Notes
|
Jenn Frank (choreography)
|
Jenn Frank (choreography) |
|
Selkie |
Premiere |
1996/Mar |
|
New York University - Frederick Loewe Theater |
New York |
United States of America |
|
Notes
|
Nancy Swortzell (stage direction)
|
Nancy Swortzell (stage direction) |
|
Mystik |
Premiere |
1996/Feb |
|
New York University - Frederick Loewe Theater |
New York |
United States of America |
New Music Ensemble
Esther Lamneck (conductor) |
Notes |
|
|
Ma's Sin |
Premiere |
1996 |
|
|
Figueira da Foz |
Portugal |
Lúcia Costa (violin), João Cavadas (cello), Francisco Ferreira (accordion)
“Ad hoc” Choir of students of the Porto Conservatory
Fernando C. Lapa (conductor) |
Notes |
|
|
O Corpo |
Premiere |
1995/Dec |
|
The Kitchen |
New York |
United States of America |
|
Notes
|
Fausto Matias (choreography and video)
|
Fausto Matias (choreography and video) |
|
Cry of the Earth |
Premiere |
1995/Sep |
|
New York University - Frederick Loewe Theater |
New York |
United States of America |
|
Notes
|
John Sannutto (choreography)
|
John Sannutto (choreography) |
|
Deconstruction CLXIV |
Premiere |
1995/Aug |
International Music Days Festival |
|
Constanta |
Romania |
|
Notes
|
Deborah Macedo (choreography)
|
Deborah Macedo (choreography) |
|
Mão Segunda - Suite |
Premiere |
1994/Jul/12 |
|
Rivoli Theatre |
Oporto |
Portugal |
|
Notes |
|
|
Mão Segunda - Suite |
Performance |
1994 |
|
Superior School of Music and Performing Arts |
Oporto |
Portugal |
|
Notes |
|
|