Work created for a concert in Ars Electronica (Linz, Austria), 2000, based on sounds captured in New York's Central Park. These sounds were then graphically transposed to virtual environments and a three-dimensional rotational plan (virtual score) was created, with five layers. The composer tried to turn that park into something abstract by way of transforming its sound ecosystem into sound design, in a tribute to Charles Ives (author of the project for the Central Park) and to his "Central Park in the Dark".