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Born in December/1983, at five he started studying music in Seia, where he was taught under the supervision of several teachers, particularly by the ethnomusicologist António Tilly. His former compositions, for MIDI sequencer, electronics and small instrumental bands started when he was 12 up to 16 years old, when he began studying at Conservatório de Música in Viseu. Between 17 and 22, he concluded a music teaching degree in the University of Aveiro, where he studied composition and electronic music with Isabel Soveral and João Pedro Oliveira. He is presently pursuing doctoral studies in Social Sciences, in Universidade Nova de Lisboa. Since 2003, he attends regularly the seminars of Gulbenkian Foundation with Emmanuel Nunes and the Stockhausen summer courses (Kürten). He was given a mention on the 1st and 2nd Contest Jorge Peixinho, he was selected for the 2nd, 3th and 4th Workshop Gulbenkian for Portuguese Composers, his music was selected to be presented at the ICMC 2005 (Barcelona), he received two prize scholarships by the University of Aveiro and one from Fundação Engenheiro António de Almeida. Besides his activity as a composer, he has developed other activities such as artistic direction of the Festival Dni Muzyki Portugalskiej w Krakowie (Days of Portuguese Music in Krakow) and Dias de Música Electroacústica (Days Electroacoustic Music, in Portugal); conferences - University of Aveiro, Music Academy in Krakow, Superior School of Tourism and telecommunication in Seia and at the 42. Darmstadt Internationale Ferienkurse für Neue Musik (Forum Musical thinking today); sonorization of documentaries and multimedia presentations (as free lancer for design companies); cooperated as research fellow for the Music Information Centre of Portuguese Music and for INET (Ethnomusicology Institute – Universidade Nova de Lisboa), where he develops studies about portuguese music and he teaches and is co-director of Conservatório de Música in Seia. His music has been presented, among others, in Portugal (Festival Música Viva and Festival de Música de Aveiro), in Poland, Turkey (Ankara), France (Synthèse 2005, Bourges), Austria (Hörfest 05, Graz), where he was invited composer to premiere is piece Lysozyme Synthesis and Belgium (Ghent), where he premiere his piece Density Study, commissioned by Logos Foundation. He was composer in residence at LEC - Laboratory of Electroacoustic Creation – from Miso Music Portugal. EXTERNAL LINKS: Jaime Reis' official website: jaimereis.pt |
Title of work | Date | Commissioning body | URL | Town | Country | Notes | Invisible Column 0 | Invisible Column |
Bartolomeu, o voador | 2017 | A.P.E.M. / Cantar + (F. C. Gulbenkian), Arte no Tempo and Câmara Municipal de Seia | Portugal | Notes | ||||
Sangue Inverso - Olho de Tigre | 2015 | Síntese . Contemporary Music Group | URL | Guarda | Portugal | Notes | http://sintesegmc.com/ | |
A Omnisciência é um Colectivo II | 2011 | União Filarmónica Troviscal | URL | Troviscal | Portugal | Notes | http://www.uftband.org/Inicio.php | |
Title of work | Name of Award | Prize | Date | Awarding body | URL | Town | Country | Notes | Invisible Column | Invisible Column 2 |
Estátua de Pessanha | 2nd Jorge Peixinho Composition Contest | Honor Award | 2004 | Aveiro University | URL | Aveiro | Portugal | Notes | http://www.ua.pt/ | |
Lysozyme Synthesis | 1st Jorge Peixinho Composition Contest | Honor Award | 2003 | Aveiro University | URL | Aveiro | Portugal | Notes | http://www.ua.pt/ | |
Work | Type | Date | Organization/Event | Local | Town | Country | Performer(s) | Notes | Invisible Column |
Aera Excipere | Premiere | 2018/Oct/01 | Hommage à Jean-Sébastien Béreau | Mairie du 17e arrondissement de Paris | Paris | France | Orchestre de Flûtes Français Marc Hajjar . direction |
Notes | |
Sândalo. Prata. | Premiere | 2018/Apr/20 | International Spring Music Festival of Viseu | Grão Vasco National Museum | Viseu | Portugal | Monika Streitová . flute Pedro Rodrigues . guitar | Notes | |
Inverso Sangue – Âmbar B | Premiere | 2018/Apr/12 | International Spring Music Festival of Viseu | Clube de Viseu | Viseu | Portugal | Carlos Canhoto . saxophone | Notes | |
Bartolomeu, o voador | Premiere | 2018/Feb/11 | DME 58 Festival | Municipal House of Culture in Seia | Seia | Portugal | Hélder Abreu . musical direction José Baptista . staging Beatriz Cruz . choreography Ludovina Fernandes, Diana Dias e Hugo Passeira . choir direction Students at the Collegium Musicum - Conservatoire of Music in Seia Maria Luísa Rodrigues . narration Rui Andrade . percussion Maria Monteiro . flute Filomena Afonso . violin Ana Clara . clarinet João Oliveira . cello Constança Neves . piano |
Notes | |
Fluxus, pas trop haut dans le ciel | Premiere | 2018/Jan/31 | Musiques & Recherches . Thematic concert Le Paysage Sonore | Centre Culturel d'Etterbeek Le Senghor | Brussels | Belgium | Electroacoustic music for a system in form of cupola (16 channels) | Notes | |
Inverso Sangue: Cinábrio | Premiere | 2017/Dec/16 | Kyiv Contemporary Music Days | Art Ukraine Gallery | Kiev | Ukraine | Members of the International Ensemble Modern Academy | Notes | |
Sketch for Omniscience is a Collective - part IV | Premiere | 2017/Jun/17 | Percussão Extraordinária | O'culto da Ajuda | Lisboa | Portugal | Nuno Aroso, percussão | Notes | |
Voces excipere | Premiere | 2017/May/16 | digressão pelo coro francês "Soli-Tutti”, dirigido por Denis Gautheyrie | Madrid | Spain | "Soli-Tutti” Denis Gautheyrie, conductor |
Notes | ||
Inverso Sangue: Granito B | Premiere | 2017/May/13 | Barcelona Modern Project | Barcelona | Spain | "Barcelona Modern Project” | Notes | ||
Inverso Sangue: Granito | Premiere | 2017/May/10 | Composer-Speed-Dating | Colónia | Germany | Ensemble Musik Fabrik | Notes | ||
Bartolomeu | Premiere | 2017/May/07 | Reencontros de Música Contemporânea: Figurações sobrepostas + Peças para os RMC | Salão Nobre do Teatro Aveirense | Aveiro | Portugal | Francisco Ferreira, piano | Notes | |
Fluxus, Dimensionless sound (B) | Premiere | 2017/May/05 | Monaco Electroacoustique 2017 | Academie Rainier III | Mónaco | Monaco | Clara Saleiro, flute | Notes | |
Bartolomeu | Premiere | 2017/Apr/30 | ALUNOS DO CMACG (AVEIRO) | Salão Nobre do Teatro Aveirense | Aveiro | Portugal | Conservatório de Música de Aveiro Calouste Gulbenkian: Coro de Iniciação do CMACG João Carlos Soares and Ângela Alves, conductors |
Notes | |
Sketch for Omniscience is a Collective - part IV | Partial premiere | 2016/Aug/14 | 11th Jeju International Brass & Percussion Competition | Jeju | South Korea | Nuno Aroso, percussão | Notes | http://jiwef.org/english/?mcode=0311&PHPSESSID=fe31a9417b67959202c6083f0edbca75 | |
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Fluxus, Dimensionless sound II | Premiere | 2016/Apr/22 | International Spring Music Festival | Grão Vasco Museum | Viseu | Portugal | Grupo de Música Contemporânea de Lisboa | Notes | |
Sangue Inverso: Magnetite, Ametista, Obsidiana | Premiere | 2016/Apr/22 | Grão Vasco Museum | Viseu | Portugal | Grupo de Música Contemporânea de Lisboa | Notes | ||
Fluxus, Drag | Premiere | 2015/Nov/22 | XVII Festival de Música Contemporánea de Madrid COMA'15 | Sala Berlanga | Madrid | Spain | Duo Contracello Miguel Rocha, cello Adriano Aguiar, double bass |
Notes | |
Sangue Inverso: Ametista (B) | Premiere | 2015/Nov/21 | Art School of the Calouste Gulbenkian Music Conservatory | Aveiro | Portugal | Borealis Ensemble António Carrilho, recorders Helena Marinho, piano |
Notes | ||
Sangue Inverso - Olho de Tigre | Premiere | 2015/Oct/31 | 10th Síntese . Contemporary Music Cycle | Teatro Municipal da Guarda | Guarda | Portugal | Síntese . Contemporary Music Group | Notes | |
GS65 | Premiere | 2015/Jan/14 | Stiftung Museum Kunstpalast | Düsseldorf | Germany | Chaim Steller, viola | Notes | ||
Fluxus, Transitional Flow | Premiere | 2014/Dec/10 | Teatro Viriato | Viseu | Portugal | João Pedro Delgado, viola | Notes | ||
A Omnisciência é um Colectivo II | Premiere | 2011/Jul/02 | Concerto no Grande Auditório do Centro Cultural de Macau | Macau | China | União Filarmónica do Troviscal | Notes | ||
Entretecimento | Performance | 2010/Sep/14 | EIMAS 2010 - International Meeting/Encounter of Music and Sonic Arts | IAD - UFJF | Juiz de Fora | Brazil | Pedro Rodrigues (guitar) | Notes | |
A Omnisciência é um Colectivo | Performance | 2010/Sep/09 | III FIMC - Contemporary Music International Festival | Teatro do Movimento | São Salvador | Brazil | Notes | ||
Phonopolis | Performance | 2010/Sep/09 | III FIMC - Contemporary Music International Festival | Teatro do Movimento | Sao Salvador | Brazil | Notes | ||
Entretecimento | Performance | 2010/Sep/08 | III FIMC - Contemporary Music International Festival | Sacred Arts Museum | São Salvador | Brazil | Pedro Rodrigues (guitar) | Notes | |
Sinais do Tempo | Performance | 2010/Sep/08 | III FIMC - Contemorary Music International Festival | Sacred Arts Museum | Sao Salvador | Brazil | Pedro Rodrigues (guitar) | Notes | |
Phonopolis | Performance | 2008/Nov/07 | Aveirense Theatre | Aveirense Theatre | Aveiro | Portugal | Notes | ||
Phonopolis | Performance | 2008/Jul/13 | Belém Art Centre / Música Portuguesa Hoje | Belém Art Centre - Luís de Freitas Branco Room | Lisbon | Portugal | Notes | ||
Estudo de Densidades II | Performance | 2008/Mar/19 | Seia Conservatory of Music / Electroacoustic Music Days | Seia Conservatory of Music | Seia | Portugal | Linda-a-Velha Contemporary Music Atelier Pedro Pinto Figueiredo (conductor) | Notes | |
Sinais do Tempo | Premiere | 2007/May/04 | Franco-Portuguese Institut | Lisbon | Portugal | Pedro Rodrigues (guitar) | Notes | ||
Phonopolis | Performance | 2007/May/04 | Franco-portuguese Institut | Lisbon | Portugal | Notes | |||
Entretecimento | Performance | 2007/May/04 | Franco-Portuguese Institut | Lisbon | Portugal | Pedro Rodrigues (guitar) | Notes | ||
Phonopolis | Performance | 2007/Mar/31 | Electroacoustic Music Days | Arts House | Seia | Portugal | Notes | ||
Reificação Espectral | Premiere | 2006/Mar/24 | 4th Gulbenkian Workshop for Young Portuguese Composers | Calouste Gulbenkian Foundation - Great Hall | Lisbon | Portugal | Members of the Gulbenkian Orchestra Guillaume Bourgogne (conductor) | Notes | |
Phonopolis | Performance | 2005/Sep/20 | Música Viva 2005 Festival | Oeiras Centre for Social Support | Oeiras | Portugal | Notes | Portuguese première | |
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Lysozyme Synthesis | Premiere | 2005/Feb/26 | Hörfest Festival | Graz | Austria | Notes | |||
Improvisação sobre Três Poemas de Al Berto | Premiere | 2005/Jan/22 | 3rd Gulbenkian Workshop for Young Composers | Culturgest | Lisbon | Portugal | Gulbenkian Orchestra Guillaume Bourgogne (conductor) | Notes | |
Estátua de Pessanha | Premiere of revised version | 2004/Jul/03 | Piano International Festival | Aveirense Theatre | Aveiro | Portugal | Nancy Lee Harper (piano), István Matuz (flute), Jaime Reis (video) | Notes | |
Síntese 1.2 | Premiere | 2004/Mar/19 | 2nd Gulbenkian Workshop for Young Composers | Calouste Gulbenkian Foundation - Great Hall | Lisbon | Portugal | Gulbenkian Orchestra Guillaume Bourgogne (conductor) | Notes | |
Entretecimento | Premiere | 2003/Sep/13 | Música Viva Festival 2003 | Transports Museum | Coimbra | Portugal | Pedro Rodrigues (guitar) | Notes | |
Calmodulin Synthesis | Premiere | 2003/May/22 | Percussion Concert | University of Aveiro - Department of Communication and Arts | Aveiro | Portugal | Interpercussão Group | Notes | |
(Sobre o Processo de) Replicação | Premiere | 2003/Mar/16 | Aveiro International Music Festival | University of Aveiro - Department of Communication and Arts | Aveiro | Portugal | Interpercussão Group Aveiro University Flute Class | Notes | |
Description of Activity | Designation | Period | Organization | URL | Venue | Town | Country | Notes | Invisible Column | |
Lectures | 2010/Sep/14 - 2010/Sep/14 | URL | Brazil | Notes | http://www.unicamp.br/ciddic/ | |||||
Name of Grant/ Residency/Scholarship | Period | Awarding body | URL | Town | Country | Notes | ||
Merit Scholarship | - 2005 | Aveiro University | URL | Aveiro | Portugal | Notes | http://www.ua.pt/ | |